Why would you use a rootless voicing? First of all, the chord in step 3 (C-E-G-B-D) requires two hands for many players, limiting its possible applications. It is important to observe that a C Major 9 rootless A voicing (E-G-B-D) is equivalent to an E minor 7 chord (E-G-B-D). Haerle’s A voicings are built up from the 3rd (3-5-7-9). In his classic text, The Jazz Language: A Theory Text for Jazz Composition and Improvisation, jazz pianist and educator Dan Haerle categorizes the most useful rootless voicings into two varieties: A voicings and B voicings. Jazzy Major Chords-Step 4: Rootless A Voicing (3rd-5th-7th-9th) To do so, simply drop the root! Rootless voicings, as their name implies, omit the root of the chord from the voicing. Now that you’ve built a rich major chord with the 7th and 9th, you can easily adapt this chord to a rootless voicing. (A 9th interval is simply a 2nd + an octave.)
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